I have released various datasets, tools and computational packages. Here are the latest R packages.

Code

• MusicScienceData is an R package that offers example datasets suitable for exploration of basic analyses (correlation, comparison of means, etc.) in music and science studies. It is used in Music and Science textbook.
• onsetsync is a R package for musical assessing synchrony between onsets from multiple music performers. It works with OSF deposited data, annotated onsets, annotation structures, and contains a host of utility functions of synchrony analyses.
• movementsync is a R package that provides analysis and visualisation of synchrony, interaction, and joint movements from audio and video movement data of a group of music performers (CRAN release).
• inconMore is an R package that supplements simultaneous consonance perception datasets originally provided by Peter Harrison’s excellent incon library.
• CVI is an R package that offers various Content Validity Index calculations for scale development. This is currently being used in our work implementing measurement models for a new music and emotion theory.
• emr contains a set of notebooks associated with a book titled Music and Science – A Guide to Empirical Research (Routledge 2024) that span R (for statistics) and Python for music analysis from symbolic and audio domains.
• MIDI toolbox is now pretty old Matlab toolbox for analysing MIDI files (it was released in 2003).

Data

I attempt to release all data of studies I write and I keep track of these in a GitHub repository OpenData.

Papers with data, code and manuscript at GitHub

Since 2024, I’ve attempted to use GitHub for research collaborations that have a significant coding element (database studies, meta-analysis etc.). In many cases, these collaborations have captured every aspect of the research (data, analyses, and the manuscript) of the research in a way that I find appealing and clear.

• A Meta-Analysis of Music Emotion Recognition Studies

• Gender in music psychology

• Measure of Emotional Episodes with Music (MEEM)

• Measuring Emotional Experiences to Music – Content Validity Assessment for Episode Model Constructs

• Barriers to data sharing in music psychology

• Participant and Musical Diversity in Music Psychology Research

• Pleasantness induction in music through consonance and dissonance: contrasting effect or tonal relation?

• Valenced Priming with Acquired Affective Concepts in Music: Automatic Reactions to Common Tonal Chords